Meet CHVRCHES. Pronounced Churches. I got the chance to work with photo editor Deborah Dragon at Rolling Stone a couple of weeks back to photograph this up and coming Scottish synth-pop trio. My photo is out in the current issue of Rolling Stone. The one with Miley Cyrus licking herself on the cover. Yeah, that one. The shoot took place in Minneapolis at the legendary First Avenue Theatre. In the mens bathroom… The CHVRCHES debut album is out today, and it’s pretty awesome. Here is the Amazon link to the album: CHVRCHES – The Bones of What You Believe Enjoy!
Posted by John Keatley / Filed under Editorial Work
Posted by John Keatley / Filed under BTS, Celebrity, Editorial Work
I am a huge fan of Jeff Garlin. I really liked his work going into this shoot for NY Times Magazine, and I am an even bigger fan after working with him.
My friend Sara Coates was recently cast in a movie called Laggies. They just wrapped up filming, so it should be in theaters next year. On one of the first days of filming, Sara sent me a text message with a picture of Jeff. ”I’m acting with Jeff!” I immediately thought to myself, “I would love to photograph Jeff Garlin!!!” That was a Sunday night. The next day, I got a call from my rep Julia, and she asked me if I wanted to shoot an assignment for New York Times Magazine. The answer to that question is always yes, and then she said, “It’s actor Jeff Garlin.” No joke!
This is actually the 3rd time this has happened to me in my career. Anthony Hopkins, Annie Leibovitz, and now Jeff. So naturally I am a big believer in the power of positive thinking, and “putting it out there”. I always tell my daughter, you’ll never know unless you ask. And now, she has learned the benefits of asking for stickers at any store we walk into. Who knew Chevron had stickers. But that’s another story. I can’t take all of the credit for many of the great opportunities I have had come my way, but this is the type of job where you have to make things happen, and tell people what you want. Even if it’s just declaring to your wife on a Sunday night while watching Netflix that you want to photograph one of your favorite actors.
Jeff walked into the shoot with a Leica around his neck, and I knew right away this was going to be fun. Thank you New York Times Magazine, Gabrielle Plucknette, Clinton Cargill for a wonderful assignment, and thank you Jeff for bringing the magic!
Here is the photo and interview of Jeff Garlin that ran the NY Times Magazine. I was thrilled they chose my favorite image.
Posted by John Keatley / Filed under BTS, Editorial Work
Wait! You mean, there is a 3rd cosmonaut outfit? I’m going to need to wear that… It only makes sense. It will help me understand my subjects and connect with them better. I’m a method photographer, what can I say.
It seems like it was just yesterday I was in this very same room at Wexley School For Girls with Cal and Ian for my first shoot with them. They were flexing on the white baby grand piano. It was magical. Since then, we have done I don’t know how many shoots together, but this is definitely one of my favorite ones.
Thanks to AdWeek for a fun assignment, and thanks to Wexley for keeping the magic alive.
Posted by John Keatley / Filed under Editorial Work, Tear Sheets
The Nutcracker is a serious holiday tradition here in Seattle. People seem to get pretty excited about it, and it’s a big deal. I went to see it with my family several years ago as a Christmas present I believe. I can’t remember how long ago exactly that was, but then again, I can’t remember much about the Nutcracker either. I fell asleep… I guess it was just not my cup of tea.
What’s that? The Burlesque Nutcracker? Now that might hold my attention. It may not be a show grandma and grandpa are going to take you to for Christmas, but at least now I’m intrigued.
City Arts has been doing some really great things in Seattle with the arts for the past few years, and I have enjoyed working with them recently. For this assignment, I was tasked with photographing classically trained ballet dancer turned burlesque artist, Lily Verlaine. She is co-producer and Artistic Director of Land Of The Sweets: The Burlesque Nutcracker.
I had the opportunity to meet with her the day before the shoot to go over wardrobe options, and while we had some great pieces to work with, I wasn’t seeing exactly what I was hoping for. I briefly described my idea of something that says Burlesque, classy, and Holiday’s at the same without coming off too costume’y, but no luck. The next day, Lily showed up to the shoot arm in arm with designer Danial Hellman and this beautiful piece that he custom made the night before. It was exactly what I had described the day before. Wow! That never happens. That’s what you get when you work with professionals.
I really enjoyed showing something a little more sassy and pretty in this shoot, and I think the cover turned out perfectly. It says Burlesque and Holidays at the same time without being too loud or flashy.
Big thanks to City Arts Art Director Dan Paulus, and Editor in Chief Leah Baltus of City Arts for working with us on this. Thanks as always to Gigantic Squid for the beautiful color grading and retouching. Beautiful.
Posted by John Keatley / Filed under Editorial Work
I shot these images on a sweltering hot day this past summer in beautiful Coeur d’Alene, Idaho for Inc. Big thanks to Photography Director Travis Ruse for the call on this one. One of the things I love about editorial photography is the opportunity to talk with a wide range of successful and interesting people. Some of you may not know this, but I actually majored in Business Administration in college, so dissecting and understanding how different companies work is really fascinating to me. Alligator Performance Co-founders Chad and Jayme Hall did not disappoint. Their story was one of the most fascinating success stories I have ever heard, and I left the shoot feeling like I got to see something really special. I highly recommend reading this article on Alligator in Inc.
Posted by John Keatley / Filed under Celebrity, Editorial Work
Jeopardy champion, author, and all around hilarious guy Ken Jennings for Time Magazine. I don’t want to brag, but I may have stumped him on the pixel count of my Hasselblad H3D…
Posted by John Keatley / Filed under BTS, Celebrity, Editorial Work, Tear Sheets, Travel
For many people, Ferran Adria needs no introduction, but for those of you who are not familiar with Ferran, he is one of the most innovative chefs and people in recent history. He has been on Time Magazine’s 100 most influential people list multiple times. His restaurant El Bulli was the best restaurant in the world until he shut it down in 2011 at the peak of it’s success, with the idea of reinventing it. Not many people have the vision and willingness to take great risks the way Ferran does, and that is a big part of what this feature is about.
This assignment came up very quickly, and within 3 days of getting the call, I was off to Barcelona. Aside from creating some awesome images, my secondary goal was food. Get food. Just a piece of cheese or a scrap of bread would suffice. To be able to say I was handed food from Ferran Adria, that would be pretty cool.
Right off the bat, I want to thank and acknowledge the creative team at Wired UK. The Photo Editors, Dalia Nassimi and Steve Peck, Art Director Andrew Diprose, and Executive Editor Greg Williams. Greg and Andrew also traveled to Barcelona for this shoot, and we first met up with Ferran at El Bulli Workshop not far from our hotel in Barcelona. It was a busy morning between meetings, the interview and photo shoot, but we worked with Ferran in small chunks of time throughout the day. Ferran is one of the most meticulous and driven people I have ever met. As you can see from some of these images, his attention to detail and planning is second to none. Every room in his workshop as well as his kitchens are lined with whiteboards covered in notes, diagrams, and plans. His spice rack at El Bulli Workshop is so thought out, he probably knows how many grains of salt are in the salt jar. Perhaps most impressive was the play dough portion size and design templates for each meal he has created. Nothing is left to chance. His passion for his work and innovation also seem to be very contagious, because everyone he works with seems to completely buy in. I was able to learn some of this before the shoot through my research, but it is never as fun as the real deal. It was really amazing to pull some of the intensity and passion out of him, as you can see in these images.
Ferran now has a new tapas bar with his brother, Albert, in Barcelona called Tickets. From what we had gathered, it is quite an experience in it’s own right, with an impressive menu, including several famous dishes from El Bulli. It’s also next to impossible to get in to. Greg brought up the idea of getting a table during the photo shoot, but we were told it just wasn’t possible. While Ticket’s would have been the ultimate dining experience, we were in Barcelona after all, and Ferran recommended some of his favorite tapas bars and restaurants to us, which were all amazing. Later that evening, we caught up with Ferran at a local museum which has a wonderful exhibit on the history of El Bulli. They closed the museum down, and we got a private tour from Ferran.
We had 2 days of shooting scheduled with Ferran, and after a long and eventful day one, we got up early the next morning and drove a couple of hours outside Barcelona to El Bulli. It is still closed as a restaurant, but currently is filled with computer programmers and large white boards of plans and code. Big changes are coming to El Bulli before it re-opens in 2014. Going out there, we knew the kitchen was closed, so we were not expecting food, but we were also not expecting the surprise Ferran had instore for us. Ferran pulled Greg, Andrew, and myself over to a corner of the outdoor patio and brought us into a tight circle. He held out 3 fingers, looked at us in the eyes, and said, “9:00 tonight, Tickets for the 3 of you.” Kids at Christmas! We were through the roof. More on that below.
This issue has only been out about a week now, and we are already seeing this cover being recognized as one of the best covers of 2012. Pretty exciting to be a part of that, and an honor to work with AD Andrew Diprose, who is one of the best in the industry.
Below are pictures I took of our meal at Tickets. In all of the excitement and euphoria, there were several dishes I forgot to photograph. That being said, here are quite a few images of many of the amazing things I got to eat that night. Our server’s name was Claudia, and she added so much to the experience. We didn’t feel qualified to order, so we told her to bring whatever she wanted to serve us. She talked to us quite a bit throughout the night, and brought the dishes in an order that flowed and paired flavors. Ferran even came in to say hi and introduce us to his brother Albert. It was by far the most amazing food experience I have ever had. We asked the concierge at our hotel for walking directions to Tickets before we left, and he told us he could make several other restaurant recommendations because we would not be able to get in. Greg tried to explain that we had reservations, but he just laughed at us. Silly tourists.
This short video about Tickets gives you an awesome behind the scenes look at the food they create and what the dining experience is like. Eating at one of Ferran’s restaurants really is about the whole experience and using all of your senses.
I would encourage you to pick up a copy of the October issue of Wired UK which is currently on stands. You can also see a great documentary on Netflix called El Bulli: Cooking In Progres. There are also hundreds of fascinating videos online of Ferran and El Bulli. I can tell you I have already invested countless hours watching many of them.
I would like to thank everyone who worked with me on this assignment. Dalia, Andrew, Greg, and Steve at Wired UK. Awesome people. Thanks to my rep Julia at Redux Pictures for all her support and hard work on the backend to make this all happen. Thanks to Gigantic Squid for the awesome retouching. Thanks for stopping by and enjoying my work.
Posted by Izzy / Filed under Editorial Work
Some might find it ironic and nostalgic (our favorite hipster description as of late around here), others might simply call it a way of life — call it what you like, the artisan food movement is BIG, and if you don’t keep on your toes, you might fall behind. One week mushroom foraging is the trendiest of trendy, the next week it’s goat farming and cheesemaking. We got a real kick out of this lately when John shot the Seattle Weekly cover story highlighting (and kind of poking fun) at the whole phenomenon.
Apparently my ‘hipster-esque’ kitchen fit the bill location-wise, and the next thing you know we were all jammed in there dumping large cans of Safeway peaches into Mason jars prepping for the shoot – slightly ironic, slightly nostalgic, and downright hilarious. The photos of this began as outtakes, and actually turned out being what they ran with. The model in her kitsch Anthropology apron, can in hand, and the rest of us just out of the frame in stitches. Don’t get me wrong, I think the whole slow and local food movement is awesome, and to prove it, here is the pickle recipe I can’t wait to take a stab at (courtesy of a childhood friend who has recently made some great waves in the food world with her super legit food blog). Thanks Anna, and especially thanks to Seattle Weekly Art Director Jane Sherman and all of the great folks over at Seattle Weekly! We can’t wait to do it again soon. As always, gigantic thanks to Gigantic Squid for retouching.
Posted by John Keatley / Filed under Editorial Work
Safe to say Don Mattrick has one of the more exciting jobs at Microsoft. Sitting around, playing Xbox all day. Must be nice. But sometimes, when he’s not playing Xbox, Don get’s his picture taken for Forbes, and that’s where I come in. And speaking of exciting jobs, I can’t even begin to explain how much furniture was moved around for this shoot. I think the PR people thought I was a little crazy, but if you ask me, it was totally worth it. In fact, I think it turned out so good, Microsoft may even decide to re-arrange the whole room. That’s called value added. Don’t worry, no charge. That’s how we do it.
Don Mattrick is the President of Microsoft’s Interactive Entertainment business. i.e. Xbox… It’s a big weapon for Microsoft right now. David Ewalt wrote the story for Forbes that this was shot for, which you can read here. Photo Editor Gail Toivanen, and retouching by Gigantic Squid.
P.S. People always ask me about backstory, so I know what your next question is going to be. ”John, what was he saying when you took this picture?” He was saying, “John, how are you so friggin funny!? You crack me up.” Thanks Don. That’s really nice of you to say.
Posted by John Keatley / Filed under Editorial Work
Meet Radar, the talking dog. What was he saying when I took that picture? Oh, just the usual. ”Hey buddy, you sure take a lot of pictures. Wow! How many pictures are you gonna take? Ok, I think you’ve got it by now.” You would think Radar is a celebrity of CEO going on like that. But seriously, does it not look like he is talking in the first picture!? Such a beautiful, expressive animal. I haven’t seen that much expression from any of the humans I have worked with lately.
So who want’s the real story? Radar is actually a service dog for a boy with autism. I shot this assignment for VIV Mag, and these are two of my favorite outtakes. I set up a raised platform in studio to photograph Radar, and he was not very excited about being on off the ground. It took several tries, and a lot of patience, but I got some beautiful images as a result. They say you should never work with children or animals, but sometimes it’s the most difficult challenges that pay off the most.