21
Feb

Filmmaker Eric Becker

Posted by John Keatley / Filed under Personal Work

Portrait of filmmaker Eric Becker by photographer John Keatley.

This is a portrait I recently shot of my good friend and colleague Eric Becker, who is a director / documentary filmmaker.  For over a year, Becker has been working on his film, Sound & Vision, which “explores issues facing the nearshore environment. It is a film about the oceans, told through the stories of people working to clean up, protect, and restore habitat in Puget Sound and beyond. The film is scheduled for release this fall.”  I really like this portrait, because it hints at the chaos of documentary filming, while capturing the beauty of the Puget Sound that Becker’s film strives to preserve.

I was lucky enough to see the film at a pre-screening not too long ago, and it is really beautiful.  Not your typical everybody freak out, we have a problem documentary, but one that explains a problem and offers hope, as well as a call to action.

As I mentioned in my last blog post, Becker and I will be leaving for the Philippines with Arts Aftercare next week.  I can’t believe it’s almost time to go.

Retouching by Gigantic Squid.

13
Sep

Henry Seattle Weekly Cover

Posted by John Keatley / Filed under Editorial Work, Tear Sheets

Mural painter Henry photographed by John Keatley for the cover of Seattle Weekly.

I photographed Ryan Henry Ward for the cover of the current Seattle Weekly.  It looks really beautiful in print if you are in Seattle and are able to track down a copy.  There is something about the rough matte newsprint, muted colors, and heavy contrast that really makes this image stand out.  As the copy indicates, if you live in Seattle, or even visited recently, you have probably come across at least one of Henry’s colorful murals which are spread across the city.  He just finished his 120th mural in the last 3 years.  He has also sold over 2,000 canvases, which is impressive, but even more so when you hear he has only been painting full time since 2008.

Henry signs all of his murals with a big “Henry” in black on a white circle.  It’s hard to miss, and most likely a big part of his success and brand recognition.  Since his work is mostly cartoon-like animals, I thought it would be fun to photograph him in costume as if he were one of his creatures.  My art director, Boo Davis, came up huge in finding this narwhal costume, and big thanks to Henry for being willing to go along with this idea.  It took some warming up to the idea on his part, but I think it turned out fantastic.  The horn was a little problematic, and made the shoot take about twice as long as it needed to, but he was really patient and made it work.  You can read the article about Henry on the Seattle Weekly website.