02
Oct

John McKay Seattle Weekly Cover

Posted by John Keatley / Filed under Editorial Work, Tear Sheets

John McKay on the cover of Seattle Weekly. Photo by John Keatley.

This is the cover of the current Seattle Weekly featuring my portrait of John McKay.  We had some difficulties scheduling this one, and it went right down to the wire.  Thankfully we were able to get some time with John the night before the issue went to press.  I really like this picture.  It is a simple portrait, but there is so much about it that makes it fun to look at.  His eyes are bright and focused, as if he is looking right at you.  One eyebrow is slightly raised giving him a a strong sense of confidence, and maybe even a bit of mischeviousness.  The subtle tilt of his head, and parted lips seem like he is either about to say something profound, or even start laughing.  I never get tired of photographing people, and I love that I learn something new about expression, emotion, trust, interaction, light, and timing every time I take a picture.  As much as I always feel the need to try something different, I don’t think I will ever get tired of photographing faces, because there is always something new to see and learn.

You can read the corresponding story on the Seattle Weekly website here.

13
Sep

Henry Seattle Weekly Cover

Posted by John Keatley / Filed under Editorial Work, Tear Sheets

Mural painter Henry photographed by John Keatley for the cover of Seattle Weekly.

I photographed Ryan Henry Ward for the cover of the current Seattle Weekly.  It looks really beautiful in print if you are in Seattle and are able to track down a copy.  There is something about the rough matte newsprint, muted colors, and heavy contrast that really makes this image stand out.  As the copy indicates, if you live in Seattle, or even visited recently, you have probably come across at least one of Henry’s colorful murals which are spread across the city.  He just finished his 120th mural in the last 3 years.  He has also sold over 2,000 canvases, which is impressive, but even more so when you hear he has only been painting full time since 2008.

Henry signs all of his murals with a big “Henry” in black on a white circle.  It’s hard to miss, and most likely a big part of his success and brand recognition.  Since his work is mostly cartoon-like animals, I thought it would be fun to photograph him in costume as if he were one of his creatures.  My art director, Boo Davis, came up huge in finding this narwhal costume, and big thanks to Henry for being willing to go along with this idea.  It took some warming up to the idea on his part, but I think it turned out fantastic.  The horn was a little problematic, and made the shoot take about twice as long as it needed to, but he was really patient and made it work.  You can read the article about Henry on the Seattle Weekly website.